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Matthew Eng
About
Selected Writing
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More Life: An Appreciation of Steve Buscemi in Bill Sherwood’s
Parting Glances
| Sundance (February 2024)
The Cost of Living:
Lila Avilés’s
Tótem
| Reverse Shot (January 2024)
Two Cents: Capsules on Penélope Cruz in Michael Mann’s
Ferrari
and Natalie Portman in Todd Haynes’s
May December
| Reverse Shot (January 2024)
Make Way for Tomorrow: Documenting the Struggle in Madeline Anderson's
Integration Report 1
(1960)
|
Black Camera
(Fall 2023)
Bad Idea, Right?: Catherine Breillat’s
Last Summer
| Reverse Shot (October 2023)
You Make Me Feel Mighty Real: Garth Davis’s
Foe
| Reverse Shot (October 2023)
Many Things at Once: Revisiting Robert Altman’s
Nashville
| Reverse Shot (September 2023)
What the World Needs Now: Babak Jalali’s
Fremont
| Reverse Shot (August 2023)
A Light Under the Door: Remembering Mary Alice
| Hazlitt (August 2023)
Hungry Hearts: Ira Sachs’s
Passages
| Reverse Shot (August 2023)
Those Who Leave and Those Who Stay: Celine Song’s
Past Lives
| Reverse Shot (June 2023)